The movie’s finale features the Mob dancing their butts off, and succinctly convincing the hotel mogul to reconsider his heartless ways and cancel his real estate plans. The plot revolves around a dance crew called the Mob that specializes in flash mobs in Miami, and when a hotel mogul decides to upend a local neighborhood for profit, the dancers start using their talents for protest performances (get it? Revolution?). Step Up Revolution is both the worst Step Up film and a perfect movie.
Step up movies with moose series#
The unabashed wackiness of the Step Up series is crystallized in Step Up Revolution, the fourth installment in the franchise released in July 2012. With speakers sewed into the evil leader’s jacket! Luckily, Moose escapes, or else he might have taken a backflip to the face. Instead of beating Moose up, though, the crew aggressively… dances at him. Moose has just unwittingly embarrassed another crew with his dance moves on the streets of New York, and that villainous crew is about to get revenge by cornering the kid in an empty restroom. My favorite preposterous Step Up sequence comes in Step Up 3-D, when the fiercely beloved funnyman Moose (Adam Sevani) is wandering into a bathroom ( watch here beginning at the 3:50 mark). And the tempo of the music is never, ever slow. You can pull off expert choreography on top of cars, in science labs, in art galleries and in office buildings. In Step Up world, all of life’s problems can be solved by a nice crew pulling off cool stunts.
Step up movies with moose movie#
No one should ever take the plot of a Step Up movie seriously, though, because the franchise’s creators (including long-running producer Adam Shankman and original director Jon M. These movies are technically “dramas,” and there are always moments two-thirds of the way through when the hero believes that, as hard as they have danced, their dancing didn’t go hard enough.
I have to stress the importance of silliness in the Step Up franchise. And in 2010, Step Up 3-D was the most fun yet: lots of the best characters from The Streets were back, and although the plot was almost absurd in its implausibility, the dancing was gleefully arranged, from a single-shot “Singin’ In The Rain” homage to a battle between crews improbably called the Pirates and the House of Samurai. I re-watched the original Step Up and started to enjoy the nuances of Tatum’s stone-faced lead performance.
The characters in Step Up 2: The Streets were more engaging, the soundtrack had multiple Missy Elliott songs, and the final dance sequence - a crew battle for the underground competition ‘The Streets’ - was jaw-dropping. These movies kept coming out… and I started liking them. The key ingredients to a Step Up movie quickly became clear: something-to-prove hero, urban setting, exposed six-packs, Flo Rida music. A quick-to-produce, crazy-profitable franchise was born. The spectacularly titled sequel, Step Up 2: The Streets, was originally supposed to head straight to video, like the You Got Served and Bring It On franchises before it, but Disney instead decided to quietly release Step Up 2: The Streets on a sleepy February weekend in 2008, just 18 months after the original Step Up was released, and the sequel grossed $150 million worldwide. Yet the film’s $12 million budget and $114 million international gross made a follow-up inevitable. Step Up was a hit in the U.S., but nowhere near a cultural phenomenon.
He played a disadvantaged kid who ends up performing community service at an arts school and teaching those fussy ballet students a thing or two about street dancing Step Up was a fish-out-of-water story that had been told by Save The Last Dance five years earlier. The first Step Up, released in August 2006, was a forgettable Channing Tatum vehicle before Tatum was a recognizable name. I understand that the Step Up movies are widely derided as dance shlock.
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